分离批判 Critique de la séparation

“只要环境还是由集体确定，就没有真正的个体，有的只是幽灵萦绕着他人，胡乱摆在他们面前的事物………由过滤的碎片化过去组成的愚蠢景观，充满了喧哗与骚动，因此现在的问题不是改变它，或让它去适应，另一个安排好的景观，遵循安排好的理解方式和参与方式。不。”

德波真人出镜。照片、漫画、杂志、黑屏、纪录片截取、电影影像片段，还有一如既往的贯穿影片的独白。分离批判，或者应该称为用影像与对白的分离进行对电影的批判。

#1037

49/365days。干扰者是图像而不是文字，倘若被动接受这一种规训，忽视自己主观的能动性，任由画面在眼前穿过，这种程度上，影像是无意义的，电影是无意义的。而当接纳了这一观点，又陷入另一种永恒的矛盾之中。

We all live in ways that are out of our control. // The only adventure, we said, is to contest the totality, whose center is this way of living, where we can test our strength but never use it. // Until the environment is collectively dominated, there will be no real individuals // As long as we are unable to make our own history, to freely create situations, our striving toward unity will give rise to other separations. // The wine of life is drawn and the mere lees is left this vault to brag of (Macbeth) // It is necessary to destroy memory in art. To undermine the conventions of its communication